Purity Water Purifier
OVZT merged a water purifier and a sterilizer — usually two separate appliances — into one compact form for the counter. The front holds only what water needs, a slim spout and a single button, while the sterilizing chamber fills the body behind it, closed by a full-height door that opens from a recessed groove instead of a protruding handle. The controls are printed as two quiet columns of icons, water on one side and sterilizing on the other, so the dual function reads at a glance. Soft curves and a two-tone body tie the halves into one rounded object that settles calmly into the kitchen.
See Project
Lune Facial Mist
OVZT shaped the facial mist to sit in a pouch as naturally as a compact — a flat, palm-sized form with soft, rounded edges. A white shell frames a polished rose-gold face, giving the product the finish of a cosmetic and a surface that reads at a glance. The body slides open to release the mist, then closes back into a single surface. The essence loads as a clear cartridge under the back cover, swapped in one motion so the routine keeps going. Only three small dots mark the surface, keeping everything else quiet.
See Project
3D Material Wrap Sneakers
OVZT designed the sneaker's upper to be 3D-printed as a single continuous piece, replacing the stitched panels a shoe is usually assembled from. Printed in one pass, structure and surface flow together without a seam, so the upper reads as one clean form. The process also lets the same shape be explored across different printed materials and densities, drawing a range of expressions from a single design.
See Project
Eight Room Perfume
For this fragrance bottle, OVZT drew on a distinctly Korean sense of beauty, taking the octagon as its motif. The eight-sided form gives the bottle a quiet, balanced presence — geometric yet soft in the hand — with each facet catching the light a little differently. Proportion and finish are tuned so the bottle feels considered and grounded the moment it's picked up.
See Project
Wisely Shaving Set
OVZT removed the stand entirely: the razor is shaped to rest on its own back. Grip and the balance of the razor in the hand were worked out first, then the back of the handle was given a flat, considered face so it can simply be laid down on any surface, holder-free. Form and material tie the handle and head into one quiet object, made to be set out rather than tucked away.
See Project
Petdali Dog Wheelchair
OVZT designed the dog wheelchair around lightness and easy movement. The frame is kept as light and open as possible so the animal moves naturally instead of being carried by the device, and adjustment is built in to fit different bodies and sizes. Soft lines and a warm, unobtrusive presence let the aid sit comfortably in daily life, supporting the dog without making the support the first thing you see.
See Project
Fedora Tray Toaster
OVZT designed the toaster as a small, calm object for the kitchen. An integrated tray keeps everyday use tidy, the footprint compact, and the controls reduced to only what's needed. The result settles quietly onto the counter, reading as a calm, everyday part of the kitchen.
See Project
Oyster Grand Piano
OVZT approached the grand piano as a sculptural object as much as an instrument. Lid and body are joined into one sweeping curve instead of separate parts, giving the piano a single continuous shell and a strong silhouette across a room. The flow of that curve, the proportion, and the finish were refined in detail, so the piano holds its presence whether it's being played or simply standing in a space.
See Project
Happy Day Galvanic Body Spa
OVZT shaped this galvanic body-care product around the hand and the contours of the body. The form sits easily in the grip, the head rests comfortably against the skin, and the surfaces are kept soft and calm so it stays approachable for daily use. Every detail is tuned toward an easy, repeatable routine — care that fits naturally into the day.
See Project
Need U Smart Tracker
Keep the complexity out of sight — OVZT designed the smart tracker around that one restraint. Function is tucked behind a clean, tidy shell, and the ways the device is held, mounted, or worn are resolved without cluttering the form. What's left is a small, quiet object that feels sturdy and calm — technology that stays in the background until it's needed.
See Project
Estee Lauder Modern Muse Fragrance
Fragrance is usually explained through a figure and a narrative, but here the name and the packaging already converge on a single color. The narrative was set aside and that color moved to the front. Holding product and ground within the same color range removes the hierarchy between them, and what the eye settles on is no longer the bottle but the density of the color. The character of the scent is carried by that density alone.
See Project
Rothea Resilience Cream
A cream is explained by ingredients, but what works first on a shelf is color. This product already resolves into two, red and cream, and those two became the brand reference. The range was treated so that it registers as a single block of color rather than as individual items, and the vitality comes out of that contrast.
See Project
Azia Zero Blank Hair Dryer
A hair dryer belongs to a category explained in performance figures. What the user actually perceives, however, is not the product but the air it moves, so the product was treated as the medium of that phenomenon rather than its agent. Darkness and daily use, two conditions of different character, were given equal weight, with the standard being that the product looks out of place in neither. Its position is settled without stating performance.
See Project
Everybot TS350 Robot Vacuum Cleaner
The performance of a mopping robot is mostly asserted in numbers. What actually operates here is sensing, and sensing cannot be confirmed by eye. The unseen function was moved into a form that can be perceived. Rather than emphasizing technology, the standard was to make the range in which it happens visible.
See Project
Cityo Cloud Lamp
Lighting is usually introduced only in its lit state. For a portable lamp, however, most of its time is spent switched off, and the place it occupies changes each time. The place became the reference rather than the light, and on and off were given equal weight. What is shown is not the performance of a lamp but the position it holds within a day.
See Project
Returnity Plasma Skin Healer
The convention in this category is to claim effect strongly, all the more for a product held against skin. The larger the claim, however, the further trust moves in the opposite direction. The intensity of persuasion was lowered and the product read closer to an instrument. Left to show itself only at the moment it operates, the impression that remains is precision rather than effect.
See Project
Slenix Body Boost Shot
Body care is usually introduced through sensory impression. This product, though, prints its strength as a scale and stands on the side of explaining itself in numbers. That attitude was taken as given and read in the language of measurement rather than feeling. Placed within an ordered structure, trust comes from the form rather than the description.
See Project
Everybot Q3 Robot Vacuum Cleaner
Robot vacuums are compared on suction and navigation. This product, though, is not placed in a spec sheet but in a room where someone lives, and what is asked there is a lower presence. It was treated as a condition of the space rather than as a machine. With the brightness and color of the room as the reference, the product belongs there without explanation.
See Project
The Ssonda Air Blow
Power tools are compared by output, but the place those figures mean anything is not indoors. This product belongs to rough, unordered surroundings, and that condition itself was taken as its character. Rather than showing the tool clean, it was kept closer to the state in which it is used. Durability was handled as a premise, not a claim.
See Project
Lapies Body Acne Treatment
OVZT started from the idea that clean and cold need not travel together. The product sits at the center of an open frame, followed by light that spreads evenly rather than cutting across it. The palette narrows to a few quiet tones the product already holds, and shadows and reflections are pressed low so every surface runs smooth. Trust does not require a hard edge.
See Project